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陈塘关总兵李靖负责替天庭看管宝物，他的儿子哪吒（释小龙 饰）聪明伶俐，武艺高强。某日，土地公公的干儿子猪八戒（郝邵文 饰）闯入府中，惹出不少祸端，幸得哪吒帮助方脱离危险，两人从此成为好友。两个小家伙玩心骤起，将书房弄得乱七八糟。适值此时，西海和东海龙宫联姻，西海龙女不愿出嫁。哪吒在海边戏耍，搅扰龙宫动荡不安，龙女更趁机逃跑。哪吒出手相助，与三太子展开厮杀。 另一方面，东海傲来国花果山上有一尊石猴，经过数千年风吹雨打、吸收日月精华，石猴（林志颖 饰）终于幻化成形，在猴祖的点播下他学会七十二般变化，并决定前往东海龙宫取回如意金箍棒。他的到来更在龙宫引起一片混乱……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。